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Posts Tagged ‘The ’80s’

Dear Music Fans,

I’ve been on a roll lately — getting out of the house and saying yes to live music. I have thoughts about performances and venues, because of course I do.

And you’re here, because I guess you want to read them.

Acts: The Breeders with Team Dresch
Venue: Pioneer Courthouse Square
Highlight: “Cannonball” by The Breeders

I’m an OG fan of The Pixies. Kim Deal was the key ingredient for their early success. Black Francis needs her, even though his ego thinks he doesn’t. When she started The Breeders, I knew there was room in my heart for both bands.

But like The Pixies, The Breeders can be hit or miss. For every “Cannonball,” there’s a “Hag.” (For every “Wave of Mutilation,” there’s a “Hey.”)

As for the venue, I was concerned about an outdoor space in downtown Portland at the end of summer. I was worried for nothing. It was the perfect temp and size. There were places to stand and places to sit (on steps, until some jackass spilled his entire beer). The acoustics were top-notch. Ravens flew overhead. The stars were out.

The people watching was spectacular. Young and old turned out. I did not realize this, but The Breeders fan base skews lesbian — a fact Team Dresch, also out and proud, noted repeatedly.

They were great, by the way. Never heard of them, but they are from Washington and have been around a while apparently.

The Breeders put on a fun show and had plenty of energy. Kim sounded fantastic, and we all got out of there at 9:30 p.m. on a school night.

Team Dresch: B+
The Breeders: A-

Acts: Squeeze with Adam Ant and Haircut 100
Venue: Arlene Schnitzer Concert Hall
Highlight: “Goodbye Girl” by Squeeze

I know what you are going to say: “You said you’d never see Adam Ant again.”

I know.

But he was sandwiched between a band I had seen before and loved (Squeeze) and one I hadn’t and wanted to (Haircut 100).

I figured I could go get a drink if it was that bad.

It wasn’t so bad that I had to escape to the lobby, but it wasn’t great. Adam was more ambulatory than the last time, but his voice was … um … not where one might want it to be for paying customers. And he’s still wearing the same stupid outfit he’s been wearing for seven years — down to Aunt Maude’s best Sunday church hat.

Please stop.

On the other end of the spectrum, Haircut 100 had plenty of energy and put on a great show. Squeeze did too. Difford and Tilbrook have still got it. They sounded the same, and played all the hits.

They also played “Trixies,” a concept album they wrote in 1974 when concept albums were de rigueur.

They played this album right in the middle of their set.

You know how a mattress sags in the middle in a cheap motel?

Yeah.

Everyone just sat down — which is frankly what I thought the middle-aged audience would be doing the whole time anyway. I mean, Arlene is a bougie old gal. We all had plush assigned seats.

After the shock wore off, boredom set in. I might have taken a nap. My concert-mate Jason got antsy and warm (Arlene had a hot flash) and roamed off.

Finally, they pulled up the Trixies sign and kicked back off with “Hourglass.” Everyone got back up and started dancing again as if the last 40 minutes had never happened.

Jason and I never want to hear about loose women at Trixies again.

Haircut 100: B+
Adam Ant: D
Squeeze: A- (without Trixies); C (with Trixies factored in)

Acts: Rob Zombie with Orgy, The Hu and Marilyn Manson
Venue: Cascades Amphitheater
Highlight: “This is Mongol” by The Hu

Sometimes you have to say “Yes” to adventures. Jason and I were last-minute tagalongs on Gerard and Jesse’s date to see this lineup. Marilyn Manson is a trash person, but I was interested in the rest.

As it turns out, the singer for Orgy might be trash too — so much so that sources say they got kicked off the tour before the prior show.

Lawn seats at the amphitheater were reasonable, but we nearly needed to take out personal loans for the rest. Want a beer? That’s $25. A Rob Zombie tank top? $50. A burger, fries and soft drink? Also $50.

I would have paid more to see The Hu, though. They are REMARKABLE. I don’t even have the words to describe their sound or energy. They use a horse head electric fiddle played upright, for God’s sake!

Next was Manson. The music is good, not gonna lie. I hate that I like it. But I wasn’t there for him … and his dead swan.

In addition to pissing off birds everywhere, he angered the crowd by screaming “Portland” after every song. The amphitheater is in Ridgefield, Washington.

I also wasn’t there for his nightmare-inducing bassist.

Liza Minnelli Manson and whatever that is

I killed time by discussing the Clancy case via text with Dominic and also convincing him to start listening to The Hu immediately.

Rob was next, but there was a significant set change. There also was a significant temperature drop. Though I had been mocked by someone I will not name for bringing a jacket, I was glad to have it.

Rob started off strong with “F.T.W. 84” and “Tarantula.” The set was indeed elaborate. He was very funny, but said something alarming: Rob said there were 17,000 people in attendance.

Um.

That meant 17,000 people leaving at the same time if we all stayed to the end.

Spoiler: We did not hear “Dragula” live.

We skedaddled during “Feel So Numb.” To be honest, he sounded out of breath. He is 61 after all.

At least we weren’t from running to the car to beat the rush. And we made it back to actual Portland in no time.

Orgy: 0
The Hu: A+
Marilyn Manson: B (for sound); F (for the person delivering it)
Rob Zombie: B (partial credit)

What’s next? What’s left of the Sex Pistols in Denver. I’m sure I’ll have opinions (because of course I do.)

Love and kisses,
Beth

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Dear Friends:

It’s the rare time of year in the South where I can put down the top on my convertible and be comfortable.

One of my favorite things to do is play music REALLY LOUD and (possibly) torture those around me.

I’ve been in a serious metal and rock phase lately: Think Halestorm, Drowning Pool, Rage Against the Machine, Disturbed, Metallica, etc.

But I do have eclectic taste. See this recent screenshot from my Ticketmaster app:

I’m looking for suggestions. What’s your favorite song? Though I will listen to almost anything, note that I’m not a huge fan of rap, trap, jazz and classical music.

And please don’t send me video game theme songs. The 14 year old has the lock on that. And he is persistent. (Read: annoying when he wants me to do something.)

(Yes, this is what I have to live with every day.)

Looking forward to your suggestions!

Sincerely,
Beth

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Dear Music Lovers,

I last wrote to you more than a year ago to share my favorite playlists.

I was reminded of that post today because I had lunch with an old friend who was influential in developing my musical tastes.

He created a fantastic mix tape for me back in the day.

I don’t save a ton of things — I’m not a hoarder! — but I saved all the mix tapes I received. As I knew Mike and I were meeting, I dug his out this morning to bring to lunch to show him. (I did this in the living room in my underwear, scarring Gideon for life. But that’s another story.)

I miss the days of mix tapes. They were an essential part of the courting ritual. You liked someone, then carefully crafted a tape that would do three things:

1. Indicate your feelings. You could be obscure or obvious.

2. Introduce the recipient to new music. And show off your own coolness. Or not.

3. Tell a complete story. Flow was key. It was a narrative.

I always went one step further (of course) and decorated the paper sleeve. I would find a great image from a magazine or newspaper (I’m old, y’all), cut it precisely, and glue it to the cardboard. I’d list all the songs on the other side.

It was a task to create these because you had to time everything out perfectly to fit the tape plus switch out albums.

Playlists are easier to create and share today, but I don’t get the impression they are as much a part of the getting-to-know-you phase. They certainly don’t provoke the same feeling as when someone you liked would hand you a tape. You couldn’t wait to get in your car (!) or get home to listen to it to see if they felt the same way you did.

For the record, Mike and I were and are great friends. No big romance. The purpose of this tape was to introduce me to new music. (But it’s true we were very flirty.)

I recreated it in iTunes:

Mike was tickled that I still had it.

“These songs definitely represent an era,” he said.

True that.

Here’s a picture of Mike taking a picture of the playlist. He was as amused as I was.

If you’re feeling industrious, send me a playlist. It can have a message. Or not. I’m always open to new music, as I think I’ve demonstrated.

Vinyly yours,
Beth

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